
when my brother stomped the, that he made,
semiconscious
boy fresh stepped off
the bus lain face down
in the mud
blood puddle,
but something cracked.
Photo credit: Ranney Campbell, 2025.

when my brother stomped the, that he made,
semiconscious
boy fresh stepped off
the bus lain face down
in the mud
blood puddle,
but something cracked.
Photo credit: Ranney Campbell, 2025.

Don’t you ever get lonely, he asked.
I understand, I don’t like people either
but sometimes, he said, I just need them.
Big toes tucked into the start of the crook of the croup
Into the dark dun stripe
Little toes flared back, pressed into hot slick coat
I’d brushed, curry first, then hard straw,
then smooth soft, then shine
Three hours, starting at daybreak
When he and I blew mist to the air
When he and I looked into each other
When he turned his head from the hitching rail
and I fell into that rich brown there
And he told me he knew how I cared for him
He told me he knew
And he didn’t lie
A horse won’t lie to you
My toes in the crook of the croup
In the stripe of his dun
Knees in low ribs
Collar bone on his withers
Breasts on each side, holding me centered
We’d been hours in
through the head-shaking, snorting, dancing gait
We’d settled and found a place
where grasses brushed mid-barrel
My cheek set between his shoulder and neck
He rocked a clomping rhythm
My body bent with his
bareback measure
That’s what I thought of
and I shook my head, no.
I don’t have casual relationships, I said,
I’d rather be alone.
Originally published by Shark Reef.
Photo: Pickles, three years old, still time to grow, Smiley Road, 1977.

You.
Woman.
You made the word a curse word.
I could never say it.
As a girl.
Woman.
It sounded dirty out of my mouth.
Woman.
Made my lips feel soft and round.
Woman.
Like womb.
Like pornography.
Spread open.
Never could say it without feeling nauseous.
Without my lips numbing feeling like slow motion.
Compromise.
You.
Woman.
With your side bends.
Your loud sharp dresses stiff.
Your desperation.
Woman.
Smelling like flowers.
From some garden we never been in.
Pink lipstick.
Yellow curlers.
Rouged cheeks.
Red phony rounded.
Coquettishness.
Painted chalkboard scraping fingernails.
Smiling wide dead.
Dulling eyes to seem stupid for them.
Using that voice that didn’t belong to you.
Sweet faltered quiet.
For men not my father.
The others.
You slut.
slut
i could always say that word
once my father said it
when you dragged me out of bed
in my long cotton nightgown
creamy white flowered dusting the floor
sat me rubbing my eyes
made me stay ’til midnight
with your face tight knotted
at the kitchen table to hear the drunken rant
to prove to me that he was not my hero
when he turned and told me
red-eyed and wobbling
i would grow up
to be a slut
just like my mother
before i knew what that word meant
Not like you.
Woman.
Grown.
Done.
It is dirty.
That word.
I make it.
I take it.
Back bending.
Vamping flattery.
Front bending.
Before them.
Assaulting red lips with heat.
Not a bought stick.
Buff shine.
Nails digging.
Low toned groaning.
Bare skinned.
Witted.
Loose haired.
Clothes on the floor.
Leave them.
Dazzled as they lay.
Lay them down.
Climb on them.
That will have me.
Take them in.
Me.
Originally published in Misfit Magazine.
Photo: 2023.

she could smell a cop uncanny
she could swing a bat without shame
she could feel a milligram difference on her middle finger
lids dropped chin lifted slight sway like trancing
circled men silent awaited the verdict
light or heavy
she could knock’em out, piston fist’em
keep her mouth shut hours or days
pout it and drop’em, slink blend the wallpaper
when the law busted loudmouth’s party on the cul-de-sac
slither out unseen
with somebody’s bottle of Jack off the kitchen table
since they’d be in jail anyway
cuss like a barge worker, laugh big, or never be made to
no matter what, when she wanted
verbal drop any professor
terrify a badger with a glance black squint
or purr sable
only would scoot under the bed
let them push boxes and towels around her
shallow breathe this custody
for the Outlaws
no others
and when the big men came
to the back house from out of town
and wouldn’t answer to the names they said theirs
up the volume
Or, whatever the fuck your real name is, Boss Man,
offer a cold beer from the fridge
firm arm curled out stretching supple
arch twisted brown tied halter painted jeans
and they snapped to
Originally published by Anti-Heroin Chic.
Photo credit: Beth Kimball, 1999.

my friends and cousin implored me to stay
at the bar when I twirled and told them, grinning,
I was leaving with three young men I’d just met.
next morning, when I drug back into the shack
I told the story of the mansion where I had landed,
such as the height of the ceilings and how many
bathrooms it had and of the host’s bragging
while serving liquor I had no appreciation for
and the endlessly seeming lines of cocaine
and exhaust of primo weed and the cobalt blue tile
of the kitchen counters and walls and the butcher
block isle below hanging every kind of copper
-bottomed pan and pot and of all the time
those boys spent on the phone futilitarian trying
to find prostitutes with no notice at three or four
in the morning and how disappointed they were
and how I allowed six hands all over me for six
crisp hundred-dollar bills and a sunny side up
and wheat toast breakfast with whipped butter
by sterling silver spreader
in air-conditioned sit down
and a forty-five-mile ride
home in the land rover after and when I looked up
at my cousin across coffee cups, she asked how
I always found the richest guys no matter what,
whatever room we would drop you in,
from hundreds
of men, you always pick them, every time,
how do you do it,
is it the shoes,
no anyone can buy shoes, I said,
but what then,
and all I could see were her fractured blue eyes
of our childhood,
it’s their eyes. there’s a comfort there.
it’s the comfort that attracts me.
it’s in their eyes.
she nodded so mildly
no one else must have noticed
but she and I knew
and we were back sitting on the bank
in scratchy grasses making sassafras tea,
with yellow sun baking our yellow and white
and ash and wheaten heads, fresh pulled and shook
in a bottle we found half full with mud
and washed out in the crystal creek
where there were no mothers
trading daughters to men in the dark
Originally published by Drunk Monkeys.
Photo credit: Plato Terentev.

he slit me, sliced with scissors, the meat of me
the doctor decided this between my feet
without request, as was his privilege
when he saw you crown
not wanting to think women are built for it
to bend and curl around obstacles
and impositions like liquid
so you slipped through bloodied cut
into the stark room out of me and I would never be the same
was owned by you then
and then your father owned me too
and I told him
I had never known this feeling
didn’t know
it a thing possible
he smiled, believing
a new confidence in him, a father now, told me
if I ever tried
to leave him
he would take you
and I would never see you again
later, that you’d be better off dead
if I divorced him, threat meant
or that he had all the money
would hire psychologists to say I was crazy
secure custody
so, I stayed, of course, years
as he chipped away
but first at six weeks
the O B stuck his finger in me
said squeeze
gasped
wow your husband has nothing to worry about
he should be quite pleased good girl
Originally published by Rat’s Ass Review.
Photo: 1989.

tent and keep clement
cover
secure
and wait
bathe in warm water
give a sharp cut
set aside
in a vase
upon your return
blow
into the closed
bud
reflex and pull
and pour
a tepid rivulet
into her
let gravity
spread petals
untouched by your hand
then quickly upend her
let drain
to ready
run your fingers
between the folds
into crevices
and gently
push
through
tips tracing
the ruffles circling open
Originally published by The Main Street Rag.
Photo credit: Ana Pou.

intentional infliction of pain
is not the secret of poetry
just lazy
your disappeared
teachers misguided you
they each wanted you
to be as wretched as themselves
your professor, advising you to write your life
into trifle
and his wife, inviting you to be her tub-side voyeur
offered the sameness of their desolation
rationalization that this is just the way life is
its pieces, pittances, simply scored solace points
those just don’t know
how could they see
from under limestone
gathered angels await your art
without condition
baby, it’s never too late.
still
you are breathing
Originally published by Misfit Magazine.
Photo credit: Ranney Campbell, 2024.

squash sock ankle boot bottomland
ill green spindle and straw spears
bur calf denim pantlegs
American bittern takes a stealth
toward the Western chorus
Originally published by Hummingbird: Magazine of the Short Poem.
Photo credit: Robert So.

it will be so quiet
I will be able
to hear three sunflowers
in a straight glass vase
on my dining room table
picked up bare and painted
blue and sanded and ash
stained or calla
lilies, which they pull
like weeds, I hear
in Australia
Originally published by ONE ART.
Photo credit: Ranney Campbell, 2025.